Musicologist Björn Gottstein talks about Harry Partch and the radical experimentalism that characterized the American music scene of the 1950s and 1960s.
Beate Schüler, dramaturg for Ensemble musikFabrik and one of the initiators of the ensemble´s Partch-project, the opera Delusion of the Fury, will tell us how the process of rebuilding the composer´s exotic array of homemade instruments has started and developed.
Composer and theatre director Heiner Goebbels will hold a short introduction to his production of Delusion of the Fury.
12pm General rehearsal of Delusion of the Fury. Reservation required (max.25): firstname.lastname@example.org